CULTURE

THE MASTER, An excerpt from a short story

It was the winter of 1980, the year of my birth and of my grandfather's death, when Grandma Nelly first put on Dencho's Dress, as she used to call it, and never took it off again. I remember she even used to wear it at night and sleep in it, with her arms crossed over her chest, as though to embrace herself as strongly and as tightly as possible, tucking her fingers underneath her ribcage. When I asked her why she did that, she would smile and say it was a way for her to embrace two people at once—my grandfather and herself.

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MITOSIS, An excerpt from a short story

Metaphase

It was a Sunday. She rolled over. "Good morning." It was one of the things he loved about her, so perceptive. It was a good morning.

"It's a girl," she said. "I can feel it."

"Me too." Being a half-truth, he said it with frontloaded conviction. Whenever he touched her, touched them, he felt nothing. His daughter, hiding from him. Waiting to surprise him. His wife felt everything and he was left to imagine the hands stretching and feet kicking and how nothing in his life would ever be the same. "A girl for sure."

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MITOSIS, An excerpt from a short story

 

Metaphase

It was a Sunday. She rolled over. "Good morning." It was one of the things he loved about her, so perceptive. It was a good morning.

"It's a girl," she said. "I can feel it."

"Me too." Being a half-truth, he said it with frontloaded conviction. Whenever he touched her, touched them, he felt nothing. His daughter, hiding from him. Waiting to surprise him. His wife felt everything and he was left to imagine the hands stretching and feet kicking and how nothing in his life would ever be the same. "A girl for sure."

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OUT OF PLACE

In Vagabond we usually don't cover theatre owing to the language barrier. For Out of Place, a one-man show by Guerassim Dichliev, however, we made an exception as this Bulgarian artist working in Paris is a mime – and does not use language.

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SEEING ME OFF, A short story

Listen to me, boy. Sit down and listen to me carefully. I have something important to say to you. Do you remember that forest ranger everybody used to call the Indian? He was no Indian, had never even seen an Indian, but he used to say the only book he had ever read in his entire life was Winnetou, so everybody called him the Indian. Make sure you read the right books, my boy, because you never know what name people may decide to give you…

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SEEING ME OFF, A short story

 

Listen to me, boy. Sit down and listen to me carefully. I have something important to say to you. Do you remember that forest ranger everybody used to call the Indian? He was no Indian, had never even seen an Indian, but he used to say the only book he had ever read in his entire life was Winnetou, so everybody called him the Indian. Make sure you read the right books, my boy, because you never know what name people may decide to give you…

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GRAFITTI VILLAGE

Until the mid-2010s, the chance traveller passing through the village of Staro Zhelezare, in Central Bulgaria, would hardly find anything of notice here, bar the hard-to-pronounce name and the crumbling remains of one of Bulgaria's two prehistoric rock circles. Located near Hisarya, with its mineral water springs and Roman heritage, and Starosel, with its dilapidated Thracian tombs, Staro Zhelezare looked like an ordinary village in the Thracian Plain. Its sun-bleached streets, lined with low houses and lush gardens, were mostly empty.

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SEVEN BEDTIMES FOR SEVEN BONZOS, An excerpt from a short story originally published in Yeti magazine

According to their testimony, the three co-defendants had met while flipping ollies in the drained swimming pools of suburban southern California and a decade later had gone on to serve as graphic designers and principal investors in Abacus 5, their own product line of extreme sports clothing. Without seeking prior permission from myself or my former employer, Black Star Photo Agency, Abacus 5 had printed a series of T-shirts that used elements of eight photographs spanning several phases of my career, albeit significantly altered from their original form.

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NICOLE SIMMONS, ON TRAVELLING IN BULGARIA, NOT VISITING THE SAME PLACE TWICE AND COLLECTING ART

Nicole is also an epidemiologist and international health expert with 20 years of experience managing and developing technical assistance, training and research projects. She is currently a part-time faculty member in the Department of International Health at the Johns Hopkins Bloomberg School of Public Health, with a current project evaluating an early childhood development programme in Swaziland.

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THE EMPTY CAVE, An excerpt from a novel

Prologue

"Have you been to the border?" he asked. His question – quiet, husky, and forbidden – got absorbed into the darkness and the echo of the other people's voices, and definitely convinced her that coming here had been a mistake. She should have stayed home tonight. Alone. By herself. On her own with her dreams.

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