PUMP, a short story
The story was originally published by Dcomp Magazine
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The story was originally published by Dcomp Magazine
I used to think that I was Leno's main passion, then that I could be Leno's main passion, displacing the City from his heart and mind, and even from the pages he wrote. But that was "before" and it was short-lived. Rather quickly, I realized that it was the exits, these invisible, unattainable points, that inspired his desire. None of them could be found on my body or person. We both realized this early on. But Leno held on to me: he wanted me by his side, nevertheless. I did not spend much time pouring over the letter.
Later on, unless you go on to become a member of a nationalist party, you don't feel any particular need to remind yourself of "I am a Bulgarian." Such a statement, despite its straightforwardness, could invoke a measure of uncertainty, like the invisible steps on the front cover of this book. It is not because you could be something else than a Bulgarian, but because the affirmation presupposes a previous agreement between yourself and your compatriots about what it is that makes you Bulgarian and what makes Bulgarians a community.
The year we became minimalists was the same year we gave up meat. You decided these things were for one another, and so this is what we did. Some years previous, when we had decided to be two women in love, we were incredible disasters. I had sloppily painted the walls a burnt orange and draped silk scarves atop the lamps, rather than replacing their spent bulbs.
Every morning, between six and seven thirty, thousands of gray-haired Rapunzels rise, gently toss their blankets aside and make their way to the kitchen. Some make breakfast for their grandchildren. Others leave bread crumbs for the pigeons on the balcony. They put coffee-makers or teapots on the stove. Some even turn on the radio. Inside, there's a slight draft. So they wrap their cardigans more tightly around their bodies, and clasp the cup of coffee or tea with lots of sugar with both hands. They feel chilly, they always do, but what else could they close in order to stop the draft?
The morning Tita Marie came crying into this world on her grandfather's sofa, I cut the cord. Me – a stranger, an oilman. An adoptee.
We all know how boring the Black Sea is. It lacks the saltiness of the Aegean, the rugged coastline of the Adriatic, and the rich marine life of the Red Sea. Its waters are dead, its fauna has been lost to pollution and overfishing. In short, the Black Sea is dull.
You can enter by the road from the south, the north, the east or even the west, although the west road, unfortunately, is not very good. Actually, even then it was quite bad and annoying to drive on, with lots of potholes; there would often be fallen trees. There is no reason to think that the road is better now. You cannot be sure what to expect, once you manage to get into the city. Even back then, the buildings had almost entirely lost their magnificence and charm, which was reminiscent of a decent past, and suggested a relatively prosperous future.
To my father
She has no idea if the time she has left is enough. But the desire is stronger than common sense and she starts piling up pillows to hem in the corner of the huge bed where she can sink fully into her thoughts and find peace at last. In the house time has its own clock, slow and different. She hopes nobody is going to look for her.
She falls asleep before she knows it, carried away by shouts and voices distant as the world outside this room. Everything starts from the beginning like the breaking day.
Copyright © 2014 by Shelly Oria. Reprinted by permission of Farrar, Straus and Giroux, LLC. http://us.macmillan.com/fsg
Kisses # 1-3