CULTURE

SEEING ME OFF, A short story

 

Listen to me, boy. Sit down and listen to me carefully. I have something important to say to you. Do you remember that forest ranger everybody used to call the Indian? He was no Indian, had never even seen an Indian, but he used to say the only book he had ever read in his entire life was Winnetou, so everybody called him the Indian. Make sure you read the right books, my boy, because you never know what name people may decide to give you…

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SEVEN BEDTIMES FOR SEVEN BONZOS, An excerpt from a short story originally published in Yeti magazine

According to their testimony, the three co-defendants had met while flipping ollies in the drained swimming pools of suburban southern California and a decade later had gone on to serve as graphic designers and principal investors in Abacus 5, their own product line of extreme sports clothing. Without seeking prior permission from myself or my former employer, Black Star Photo Agency, Abacus 5 had printed a series of T-shirts that used elements of eight photographs spanning several phases of my career, albeit significantly altered from their original form.

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NICOLE SIMMONS, ON TRAVELLING IN BULGARIA, NOT VISITING THE SAME PLACE TWICE AND COLLECTING ART

Nicole is also an epidemiologist and international health expert with 20 years of experience managing and developing technical assistance, training and research projects. She is currently a part-time faculty member in the Department of International Health at the Johns Hopkins Bloomberg School of Public Health, with a current project evaluating an early childhood development programme in Swaziland.

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THE EMPTY CAVE, An excerpt from a novel

Prologue

"Have you been to the border?" he asked. His question – quiet, husky, and forbidden – got absorbed into the darkness and the echo of the other people's voices, and definitely convinced her that coming here had been a mistake. She should have stayed home tonight. Alone. By herself. On her own with her dreams.

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THE ART OF ART MANAGING

Art, culture and proper management of creative industries have proven a force for efficient and positive change for local communities. Just think of the excitement when your visit to another town or country coincides with an interesting festival, concert or art show. Remember all the beautiful pictures you have taken and shared of inspiring exhibitions, thought-provoking graffiti art or innovative visual solutions of urban and rural spaces. Look at the coffee mug rack and the shelves at your home, with their beautiful souvenirs that are more than mementos, but true objects of art.

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INITIATION, An excerpt from a novel in progress

Prophecies work in reverse. I see them only now. How the heat lightning flashed across my bedroom through the night, cutting my dreams short and sending me spinning in place, face squashed every which way into the mattress though the light persisted blue-electric on the insides of my eyelids. How I woke to my mother reciting my full name, Katherine Leland Katherine Leland Katherine Leland you've done it again, her anger so loud I heard it all the way from the basement, where I found her clutching a t-shirt splotched with ink, the washing machine's mouth gaping open and smelling of burning.

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WAITING FOR THE ELECTRICITY, An excerpt from a novel

In the beginning, when God was distributing the land to all the nations, we Georgians missed the meeting. The next morning we looked around and realized we were homeless. "Hey!" we shouted to God. "What about our land?"

"Where were you last night?" He asked. "You missed the meeting. I already gave away all the land."

"We were drinking!" we cried out. "We were toasting Your name!"

God was so pleased with us that He gave us the land He was saving for Himself. That’s why we are supposed to relax and enjoy the beauty of God’s earth.

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YEAR OF WOMEN, An excerpt from a novel

There's a minibus going everywhere, I swear. Even in the shittiest little towns, six to eight people get dropped off every two hours. I couldn't imagine what anyone else wanted in Stefan Voda, unless they somehow had jobs and still wanted to live there.

It was picturesque, like Grigorievca, with tin-cutout wells and weathered gingerbread on the houses and gates. Some fluffy yellow dogs with curly tails were scuffling around by someone's fence. I remembered how no young people stayed in the village and wondered if they all – the girls, anyway – ended up like Cristina.

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