Her father's daughter who imposed her own mediocrity on Bulgaria's culture? Or a forbearing politician who revived interest in Bulgaria's past and placed the country on the world map? Or a quirky mystic? Or a benefactor to the arts?
The assessment of Lyudmila Zhivkova, Communist dictator Todor Zhivkov's daughter, is more contentious than is customary for the public figures of Communism. What she did to Bulgarian culture in the 1970s continues to leave its imprint on public and social life, and even on the standpoints from which the nation views itself.
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