BULGARIAN EASTER EATING

by Dimana Trankova; photography by Ivo Hadzhimishev

Eggs, lamb, sweet breads fill Bulgarian tables during greatest Orthodox holiday

In Bulgaria, no Easter is for real without coloured eggs and aromatic kozunak
In Bulgaria, no Easter is for real without coloured eggs and aromatic kozunak

In 1956, Chudomir, one of Bulgaria's finest satirists, wrote in his diary: "Sunday, 6 May. Both Easter and St George's Day, but there are neither roast lamb nor red eggs at home. Traditions are fading away, the nice old feasts are being forgotten, disappearing with our generation." Just a few days before this entry, a young and seemingly harmless politician, Todor Zhivkov, had replaced Stalinist dictator Valko Chervenkov as the head of the Communist Party. The years of Stalinism, with its disregard for traditions and religion, were over, but people had yet to feel the change. Hence Chudomir's pessimism on the future of Easter.

He had no need to worry. Easter is now widely celebrated in Bulgaria.

In reality, under Communism, it was the food – the lamb and the red eggs Chudomir is talking about – which kept Easter, the biggest religious feast in Bulgaria, ahead of the tide of state imposed atheism. Attending Easter Mass was still discouraged, but people continued to eat the traditional sweet bread and crack the coloured eggs. Lamb was rarer, as it was an event to find it in the shops.

For many Bulgarians today, Easter food remains the main part of the feast, a time of overeating and overindulging.

In the past, however, Easter food belonged to a system of traditions and rituals, repeated for generations. As soon as the midnight church bells rang out and the priest announced "Christ Is Risen," people would go back home thinking of one thing: the 40 days of Lent fasting, during which devout Christians abstain from meaty food and drinks, were over. You can imagine the excitement with which the cracking of the coloured hard boiled eggs in the first hours of Easter was anticipated, and later in the day there would be roast lamb.

Traditional Easter food is rich in symbolism. The lamb represents Christ's sacrifice, lavish bread with intricate designs symbolise the revival of nature, and eggs, the colour of Christ's blood, epitomise the idea of rebirth. A legend tells why they are painted red. After the Resurrection, the three Marys met a woman carrying a basket of eggs to the market. She dismissed the news that Christ had risen with indifference: "It is as true as my eggs are red." But then, lo and behold, she looked at the eggs and they were all perfectly red.

The tradition of egg colouring perseveres in modern Bulgaria. Usually, they are coloured on the morning of Good Thursday. According to the rite, the lady of the house should rub the first red egg on the cheeks of the children in the family as this will bring them health. This egg is later placed by the family icon; on the following Easter it would be broken and, if it was rotten, bad luck awaited the family, but if it was okay, the family would have a good year.

Lamb used to be traditional but is now optional Easter food in Bulgaria

Lamb used to be traditional but is now optional Easter food in Bulgaria © Anthony Georgieff

Egg fighting, which starts in the first hours after Easter and continues until there are no eggs left unbroken in the house, is a favourite Bulgarian tradition. Whoever has the hardest egg will be, again, healthy throughout the year.

Traditions are traditions, but Easter food has changed. It has been modernised. Few people would now slaughter the best lamb in their flock as a sacrifice for Easter: Bulgarians have butcher shops and supermarkets instead, often selling overpriced meat for the feast. The eggs, which used to be only red, are now in all the colours of the rainbow and beyond, although there is a current movement for using only natural dyes.

Easter bread underwent the biggest change. The elaborately decorated breads of the past are no more. They have been replaced by kozunak, or sweet bread. A French invention, sweet bread kneaded its way into Bulgaria at the beginning of the 20th century. It is now one of the culinary pillars of the feast. Every year before Easter Bulgarians partake of long discussions on whether to bake or to buy their sweet breads. The home-made option is enticing, as the baking fills the house with a wonderful sweet aroma, but kozunak is a delicate thing, and failure always lurks behind a countertop corner, ever in the kitchens of experienced bakers. The difference between ending up with a fluffy, aromatic sweet bread and something with the look and consistency of a brick with raisins is egg-shell thin.

Ready-made kozunak is also risky. The supermarket stuff is uninspiring at best, and one has to order days in advance if they want the gluten-free, or extra-almond and ultra-chocolate kozunak that fancy bakeries produce and advertise on Facebook. For several years we at Vagabond have stuck with a local Turkish baker, who never fails to deliver, and works even on Easter.

Preparing your table for Easter could be a challenge, but if your eggs do not crack or turn violet instead of red, if the kozunak is okay and the lamb does not cost as much as your monthly mortgage payment, the result is tasty, satisfying and lasting. Until next Easter, at least, when everything will start all over again. 

  • COMMENTING RULES

    Commenting on www.vagabond.bg

    Vagabond Media Ltd requires you to submit a valid email to comment on www.vagabond.bg to secure that you are not a bot or a spammer. Learn more on how the company manages your personal information on our Privacy Policy. By filling the comment form you declare that you will not use www.vagabond.bg for the purpose of violating the laws of the Republic of Bulgaria. When commenting on www.vagabond.bg please observe some simple rules. You must avoid sexually explicit language and racist, vulgar, religiously intolerant or obscene comments aiming to insult Vagabond Media Ltd, other companies, countries, nationalities, confessions or authors of postings and/or other comments. Do not post spam. Write in English. Unsolicited commercial messages, obscene postings and personal attacks will be removed without notice. The comments will be moderated and may take some time to appear on www.vagabond.bg.

Add new comment

The content of this field is kept private and will not be shown publicly.

Restricted HTML

  • Allowed HTML tags: <a href hreflang> <em> <strong> <cite> <blockquote cite> <code> <ul type> <ol start type> <li> <dl> <dt> <dd> <h2 id> <h3 id> <h4 id> <h5 id> <h6 id>
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Disclaimers

us4bg-logo-reversal.pngVibrant Communities: Spotlight on Bulgaria's Living Heritage is a series of articles, initiated by Vagabond Magazine and realised by the Free Speech Foundation, with the generous support of the America for Bulgaria Foundation, that aims to provide details and background of places, cultural entities, events, personalities and facts of life that are sometimes difficult to understand for the outsider in the Balkans. The ultimate aim is the preservation of Bulgaria's cultural heritage – including but not limited to archaeological, cultural and ethnic diversity. The statements and opinions expressed herein are solely those of the FSI and do not necessarily reflect the views of the America for Bulgaria Foundation or its affiliates.

Подкрепата за Фондация "Фрий спийч интернешънъл" е осигурена от Фондация "Америка за България". Изявленията и мненията, изразени тук, принадлежат единствено на ФСИ и не отразяват непременно вижданията на Фондация Америка за България или нейните партньори.



Discover More

ALL ALONG THE CLOCKTOWERS
Today, knowing what time it is becomes a problem only when your phone battery dies and there is no one around to ask. For previous generations it was different.

MOUNT OF MYTHS
The epic wars fought in the summer of 2026 all across social media over the historical accuracy of Christopher Nolan's adaptation of The Odyssey should have taught us something. Myths and poetry are often inspired by historical events and places.

BELI PLAST ROCK MUSHROOMS
Strange rocks and human imagination have been deeply linked since the first Homo sapiens squinted at some weirdly-shaped peaks and wondered why they looked the way they did.

BULGARIA'S LIGHTHOUSES
Seasoned ancient mariners caught in a storm along the west Black Sea coast would become weary when they saw a light, indicating the nearby presence of terra firma. This did not always mean that there was a safe haven nearby.

CITY OF GODS
In the spring of 335 BC, Alexander III, the new king of Macedon, was climbing a hill in Thrace.

TWENTY DAYS OF FREEDOM
Мen dressed in early 20th century military uniforms, patriotic songs and speeches, lots of banners and grilled meat stalls: the people who flock to a pristine meadow, overshadowed by a sombre stone monument in the Strandzha, in the third weekend of August,

PURPLE FIELDS
A small, neat bag full with dried lavender: the souvenir is ubiquitous in Mediterranean countries. It should be in the portfolio of Bulgarian souvenirs, too, along with vials of rose water.

BULGARIA'S WILD ROCKY COAST
Тhe Black Sea is a geographical curiosity. Until recently (in geological terms), it was a big lake locked between Europe and Asia, gorging on the waters of scores of rivers.

FROM GUMOSHTNIK TO THE TITANIC
Small villages and clusters of old, abandoned houses define the Stara Planina mountains around Troyan. Gumoshtnik, whose name is hard to pronounce even for Bulgarians, is one of them.

ST MARINA'S SACRED GROTTO
The path down to the grotto drops steeply through oak and hornbeam. By the time you reach the ravine floor the sky has almost disappeared. The light here is greenish and perpetual, unchanged whether it is morning or afternoon, July or October.

IVANOVO'S NAMELESS CHURCHES
When the names of the churches were forgotten, the villagers gave them new ones. The Letters. God's Gully. The Buried Church. One they called simply The Church, a name so stripped of detail it somehow contains everything that had been lost.

NOT ANOTHER BRICK IN THE WALL
Мanufacturing building bricks and art hardly ever meet.