This time, the hidden gem of Bulgaria is modern art.
The signs for the Originals Art Gallery lead you to a larger-than-life, white shepherd with a bright yellow cloak, leading his flock to the still waters of a small creek. The Vodna pasha, or Water Grazing, installation by Bulgarian sculptor Pavel Koychev is a mesmerising reflection on contentment and the connection with nature and appeared here first for a short time in 2009.
This being a crucial period of my life, a period of serious decision making, just as I sit there, all of a sudden – bang! Here it comes! Another decision! So I decide to put an end to the tormenting cycle (no more isolation, no more cheese sandwiches, no more insomnia and gossip magazines).
Tonight, there are no lovers walking down the park alleys. There are no kings in the castles, and the princesses die alone – they have no frogs or peas. Tonight, the inkpots are empty, and the words are uncountable. Tonight, all shouts are muffled by unbearable silence. Tonight, the barefoot do not find shoes, and the anthills are too few, too small, and too far away to save lost wanderers. Tonight, children sob softly, mothers behave unreasonably, and fathers – they remain unknown.
The story was originally published by Dcomp Magazine
I used to think that I was Leno's main passion, then that I could be Leno's main passion, displacing the City from his heart and mind, and even from the pages he wrote. But that was "before" and it was short-lived. Rather quickly, I realized that it was the exits, these invisible, unattainable points, that inspired his desire. None of them could be found on my body or person. We both realized this early on. But Leno held on to me: he wanted me by his side, nevertheless. I did not spend much time pouring over the letter.
Later on, unless you go on to become a member of a nationalist party, you don't feel any particular need to remind yourself of "I am a Bulgarian." Such a statement, despite its straightforwardness, could invoke a measure of uncertainty, like the invisible steps on the front cover of this book. It is not because you could be something else than a Bulgarian, but because the affirmation presupposes a previous agreement between yourself and your compatriots about what it is that makes you Bulgarian and what makes Bulgarians a community.
The year we became minimalists was the same year we gave up meat. You decided these things were for one another, and so this is what we did. Some years previous, when we had decided to be two women in love, we were incredible disasters. I had sloppily painted the walls a burnt orange and draped silk scarves atop the lamps, rather than replacing their spent bulbs.
Every morning, between six and seven thirty, thousands of gray-haired Rapunzels rise, gently toss their blankets aside and make their way to the kitchen. Some make breakfast for their grandchildren. Others leave bread crumbs for the pigeons on the balcony. They put coffee-makers or teapots on the stove. Some even turn on the radio. Inside, there's a slight draft. So they wrap their cardigans more tightly around their bodies, and clasp the cup of coffee or tea with lots of sugar with both hands. They feel chilly, they always do, but what else could they close in order to stop the draft?
The morning Tita Marie came crying into this world on her grandfather's sofa, I cut the cord. Me – a stranger, an oilman. An adoptee.
We all know how boring the Black Sea is. It lacks the saltiness of the Aegean, the rugged coastline of the Adriatic, and the rich marine life of the Red Sea. Its waters are dead, its fauna has been lost to pollution and overfishing. In short, the Black Sea is dull.